
Last week, Burlington-based art-rock band Swale released a new album, The Next Instead. Backed by a wildly successful Kickstarter campaign, the band unveiled the record as a double album on heavy-gauge vinyl, including a 16-track remix record, Direct Inbreds. Given Swale’s stature as one of Vermont’s longest-running and most-respected rock acts, for the band to release such a work is big news. But there is one small problem.
Namely, the music editor for this newspaper can’t write about it.
Recently, my brother, bassist Tyler Bolles, joined Swale. In the small, close-knit community that is the local music scene, conflicts of interest of varying degrees arise with regularity. Some, such as Rough Francis’ Bobby Hackney Jr. working for Seven Days, can be handled by printing a disclosure. But being directly related to an artist presents an ethical dilemma when it comes to covering his or her band. On one hand, not covering Swale — especially considering the scope and magnitude of the band’s new album — would be a disservice to readers. On the other, any critical insight I might offer would be considered biased and invalid.
So what to do?
Here you’ll find an album review of The Next Instead by freelance writer Liz Cantrell. But to review Direct Inbreds, which features a diverse array of remixes helmed by the likes of indie songwriter Paddy Reagan, spectral-pop outfit Pours, Guster’s Ryan Miller, experimental composer Greg Davis, and members of Swale, we thought a different tack might be appropriate.
So we reached out to the Cheap Thrills Record Club USA for a helping hand. CTRC is a group of Montpelier-based musicians and music fans who meet weekly to listen to albums — always on vinyl. While listening, each member of the group reviews the album in haiku form — short poems consisting of five-, seven- and five-syllable lines. Those haikus are then published on the CTRC blog and the original physical copies of the poems are sent to the band.
Recently, Cheap Thrills spent an evening with Direct Inbreds. What follows are their impressions of the remix record, 17 syllables at a time.
Haiku inspired by Swale’s Direct Inbreds, by the Cheap Thrills Record Club USA
Cold air coming fast
getting ready with the beat
mellow mood warms night.
Backwards carousel
lights flashing — red, white, blue, green
lost in the fun house.
The wind passes by
the breeze sits on a crooked tree
air, stilled by the moon.
Surrender belief
abandon a kill to it
a new tribe dancer.
A pleasant wavelength,
an inappropriate glance,
to remember well.
Voices in hallways
find machines to echo in
with blip balls that bounce.
Any more ambient
and I’d ask Apartment 2
to please turn it down.
Ethereal noise
my guts feel pleasantly calm
bones shiver and shake.
Fuzzy fuzzy crunch
crunchy crunchy velvety
I want to pet you.
I’m under water
could this be what drugs sound like?\br>
from within a womb?
Swinging, open door
beyond some velvet morning
towards liturgies.
Brown leather jacket
the feel of autumn and sex
keys not left behind.
Your thoughts were still on
ubiquitous avouchment
but still rendering.
INFO
For more on the Cheap Thrills Record Club USA, visit cheapthrillsrecordclub.blogspot.com.
The original print version of this article was headlined “Remixed Up “
This article appears in The Performing Arts Preview Issue 2014.

