Editor’s note: This week in “State of the Arts,” Keenan Walsh previewed a series of author readings starting on Sunday, June 30, at the Vermont College of Fine Arts in Montpelier. Read more here.

The series’ headliner — who’ll speak at VCFA on July 2 — is novelist Richard Russo. Even if you haven’t read his work, you may know it as the source of two memorable showcases for the older Paul Newman: Nobody’s Fool and the miniseries Empire Falls.

The author’s latest work is a memoir. He has plenty to say about characters who surprise their authors, making a story up as you go, and his in-progress sequel to Nobody’s Fool. Here’s Walsh’s complete conversation with Russo, not all of which we had room to print.

SEVEN DAYS: I wanted to start by talking about your most recent work — your memoir, Elsewhere. In your short story “The Whore’s Child,” Sister Ursula is writing a memoir-type piece in a fiction-writing class. To be vague for those who haven’t read the story (but should), I’ll just say that she discovers there’s a fine line between fact and fiction; that sometimes we create fiction in our own retelling of the “facts.” In writing Elsewhere, which was your first memoir…

RICHARD RUSSO: And last! [Laughs.]

SD: [Laughs.] Was there a similarly surprising process of discovery for you as you wrote Elsewhere? Did you realize things that you wouldn’t have otherwise, had you not written it?

RR: I’m so happy that you picked up on that parallel, because my experience in writing this memoir was not unlike Sister Ursula’s. She discovers, in telling the story — and having other people respond to her telling the story — that of course her memory is flawed, and she’s forced to confront something about her life that I think she may have known some part of in the back of her mind, but very deep in her own need to believe something else. And I discovered in writing Elsewhere, not that there was any great secret, so much as the fact that I just didn’t really understand, until writing this book, some aspects of the story of my own life, and the story of my mother’s life.

Got something to say?

Send a letter to the editor and we'll publish your feedback in print!

Margot Harrison is a consulting editor and film critic at Seven Days. Her film reviews appear every week in the paper and online. In 2024, she won the Jim Ridley Award for arts criticism from the Association of Alternative Newsmedia. Her book reviews...